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	<title>Lebora Devy</title>
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	<pubDate>Mon, 31 Aug 2020 18:56:08 +0000</pubDate>
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		<title>Home</title>
				
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		<pubDate>Mon, 31 Aug 2020 18:56:08 +0000</pubDate>

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		<title>Éxodo, Untitled</title>
				
		<link>https://leboradevy.com/Exodo-Untitled</link>

		<pubDate>Mon, 31 Aug 2020 15:18:33 +0000</pubDate>

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Éxodo, Untitled &#38;nbsp;11-21 September / 2020
From Nohales, Cuenca — Carabanchel, Madrid


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A collective work by



Julia Ábalos

Frida Abella

Rebeca Allen

Luis Cabanas

Olivia Ferreira
Diego GarridoLébora Devy

Leandro Navarro

Mateo Revillo

Ángela Tisner

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On the eleventh of September, a convoy of musicians, artists and shepherds left the vicinity of Cuenca, and began walking towards number 26 on Calle Santiago Estévez, in the Carabanchel district of Madrid. The journey lasted ten days. Accompanied by two donkeys pulling wagons loaded with clay and rosemary, the convoy produced a number of votive sculptures, medium format photographs and sound recordings throughout the journey.


This piece evokes foregone paradises and humankind’s most important capacity: adaptation, the kind that is sustained by the collective imagination. The work is a social sculpture and a fabric of affections in expansion. It reflects on the transformation of rural and urban territory, and the mingling of the land, the cities, and their peripheries.


Adopting the form of an outer-ring romería*, Éxodo produced a sentimental journey that carries with it the mother matter of the new neighborhoods. This lived fiction has assembled a collective narrative that integrates the lives of those who suffered the great migratory trauma of the fifties.


 
*A romería is a pilgrimage where citizens are welcome to join and take part in the vagrant music, dance and other festive activities, usually to celebrate a local saint.



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Audio / Lebora Devy
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  Boletínes del Éxodo.


The bulletins consist of field recordings and commentary by Lébora Devy chronicling the entire journey. They include fables by Diego
Garrido. They were broadcast daily and in real-time,
between September 16th and 21st, on
Radio Relativa.
The assembling of the pilot bulletin was
made possible thanks to A.M. de Miguel.
Bulletins numbers 2 to 5 were mixed by Christian Osuna.Radio Relativa · Boletines del Éxodo


	
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Medium format photography / Olivia Ferreira, Luis Cabanas, Mateo Revillo&#38;nbsp;
Saturday, 21 September / 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Romería

	
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When the procession arrived at the outskirts of the city, people from the neighborhood and other social and artistic bodies were summoned to join the convoy, transforming it into a mobile and festive industry.

The crowd, of at least 150 people, was organized into three groups: musicians, a body of dancers, and an undefined body of potters.
21 September—1 October / 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Exhibition










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 The exhibition opens with the arrival of the donkeys and the pieces that were made along the way. They are unfurled before the public and placed on the centerpiece of this historical portrait, the reliquary that holds these exvotos (votive offerings).
	&#60;img width="1001" height="858" width_o="1001" height_o="858" data-src="https://freight.cargo.site/t/original/i/428ab624c04a95f7d247b50119a90c660728e4d714ed0cba055b08b5374cc5b8/Exodo--untitled_EN_imagen-Relicario.jpg" data-mid="81421362" border="0" alt="The &#38;ldquo;&#38;Eacute;xodo, untitled&#38;rdquo; Reliquary" data-caption="The “Éxodo, untitled” Reliquary" src="https://freight.cargo.site/w/1000/i/428ab624c04a95f7d247b50119a90c660728e4d714ed0cba055b08b5374cc5b8/Exodo--untitled_EN_imagen-Relicario.jpg" /&#62;
	












The reliquary holds the material from our Éxodo in the form of small vessels.

The arrangement on the wooden panels is an architectural echo of the buildings constructed by rural immigrants during the 1950s, households fighting to stay afloat in the peripheral neighbourhoods of the city.Along with the wagons that carried the cargo, the ground floor contains the terrestrial part of the journey, echoing the overlap of sensibilities of the artists and the people who have been involved in the production of the adobe boats, thus becoming the essential sediment of the exhibition.






	
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&#60;img width="1754" height="1241" width_o="1754" height_o="1241" data-src="https://freight.cargo.site/t/original/i/933c953eebdd1ad4dbdcd86646626132583789b286c0d0c2e6d31bf45fe7687e/Exodo--untitled_EN_Page_47.jpg" data-mid="82229907" border="0"  src="https://freight.cargo.site/w/1000/i/933c953eebdd1ad4dbdcd86646626132583789b286c0d0c2e6d31bf45fe7687e/Exodo--untitled_EN_Page_47.jpg" /&#62;Press: Entrar a Madrid en Burro by Sergio C. Fanjul for El País
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	<item>
		<title>Veo Veo</title>
				
		<link>https://leboradevy.com/Veo-Veo</link>

		<pubDate>Mon, 31 Aug 2020 15:18:34 +0000</pubDate>

		<dc:creator>Lebora Devy</dc:creator>

		<guid isPermaLink="true">https://leboradevy.com/Veo-Veo</guid>

		<description>



Veo Veo
These sound works were created for Madrid-based Radio Relativa’s Spring/Summer 2020 Season. The show Veo Veo experiments with the visual qualities of sound to evoke image, texture, movement, place. Each episode is an observational soundscape that was broadcasted during peak quarantine (Ep. 1) and freshly out of confinement (Ep. 2). Through an intuitive structure, Veo Veo experiments with the cinematographic potential of sound without visual aid by allowing field recordings to play out between music selections and original compositions by guest DJs and producers.



	&#60;img width="238" height="216" width_o="238" height_o="216" data-src="https://freight.cargo.site/t/original/i/3ee897494665597ee47fa44aa4110f5b9aad0a86d28ad3114f572213ac11c5e1/Screen-Shot-2020-09-06-at-17.47.46.png" data-mid="81929738" border="0" data-scale="77" src="https://freight.cargo.site/w/238/i/3ee897494665597ee47fa44aa4110f5b9aad0a86d28ad3114f572213ac11c5e1/Screen-Shot-2020-09-06-at-17.47.46.png" /&#62;
	Hosted by Lebora Devy on Radio Relativa.
&#60;img width="528" height="92" width_o="528" height_o="92" data-src="https://freight.cargo.site/t/original/i/dee3e50d034734f6ed02a11ce3bb70c7e9409de382a12ed32b466fe74072c78b/Screen-Shot-2020-09-06-at-17.47.26.png" data-mid="81929994" border="0" data-scale="44" src="https://freight.cargo.site/w/528/i/dee3e50d034734f6ed02a11ce3bb70c7e9409de382a12ed32b466fe74072c78b/Screen-Shot-2020-09-06-at-17.47.26.png" /&#62;


Episode 2 / 11.06.2020With&#38;nbsp;A. M. de Miguel This broadcast documents a city coming out of confinement and gradually making noise again.
The mix was put together by De Miguel. His song choice was inspired by the featured contexts and the diversity of Madrid’s citizens resuming their lives. The recordings are made mostly from the street, from balconies or windows, or from inside a car. De Miguel plays up the distant atmosphere with muffled sounds seeping through walls. Sounds become louder at street-level as I drift through the city&#38;nbsp;and with Miguel’s mixing, a cinematic sense of constant movement builds.





Episode 1 / 15.04.2020With&#38;nbsp;Banda Base 

This first edition is composed of recordings from a pre-pandemic world. Some sounds are sourced from intimate city spaces, inhabited by noisy crowds. Others are lived in quiet solitude, surrounded by plant or animal frequencies.&#38;nbsp;
Banda Base (Juan Vacas, guitar; Pablo Mirón, MPC; Alex Martinez and Pablo Losa, synthesizers) sets this programme to music - the field recordings arise and fade among their original productions.&#38;nbsp;


Radio Relativa is an independent and experimental community radio station that serves as a platform to promote different cultural and musical initiatives related to the city of Madrid and beyond.

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